Presenting a classic, affordable price range, but powerful and high class amulet, the Pra Pid Ta Maha Lap Riak Ngern Tong, wealth attracting sacred powder Buddha with covered eyes amulet (Nirodha Buddha), made from an extremely rich and potent Muan Sarn Sacred Herbal and Puttakun Powder mix, with a large quantity of Sacred Minerals. The rear face features the Sacred Yant Duang, with two silver Takrut inserted into the rear face. The Pra Pid Ta is Good for Metta, Serm Duang, Maha Lap, Klaew Klaad, Kong Grapan, and Maha Pokasap. The amulet comes encased with Waterproof Casing included.
Pidta Luang Phu Bun Mee 2 Takrut Nuea Wan 108
A Classic Puttakun Amulet for Auspicious Buddhist practice, Faith Inspiration and a Sacred Protector and bringer of Blessings. Performing Buddhist prayer Chanting, Alms Giving, Sending of Metta, and Sharing of Merits is the way to Bucha this kind of Buddhakun Amulet.
The Pra Pid Ta is considered to be an amulet with ‘Maha Ud’ and ‘Kong Grapan’ power (invincibility and gun stopping power), but is also made as a wealth bringer, in which case, the amulet will be called ‘Pra Pid ta Maha Lap’. In order to inflect a greater resonance for wealth attraction and auspicious blessings, in addition to the Maha Ud and Kong Grapan magic, ancient artisans sometimes would use the image of the Sangkajjaiyana Buddha of riches and happiness, and carve it in the Pid Ta posture.The Pid Ta amulet is one of the most popular of Thai amulets, and has been made by so very many temples and masters from all Provinces, that it is now classed as ans having its own ‘Benjapakee’ family of classic top five types of Thai Pidta amulets.
Rear Face Pidta Luang Phu Bun Mee 2 Takrut Nuea Wan 108
Empowered by Luang Phu Bun Mee in Putta Pisek/Taewa Pisek for this 2555 BE Edition, which included Ruesi Narod as metal Loi Ongk amulets and Bucha statues, Sacred Powder Pra Pid Ta, and Pra Nakprok (with Vishnu Garuda on Rahu rear faces), and some ‘Roop Muean’ Monk coins in various metals.
Above; Luang Phu Bun Mee, Wat Ban Glum Yaso
Pra Pid Ta Luang Phu Bun Mee 2 Silver Takrut Nuea Wan 108
Always chant the Maha Namasakara first (Namo Tassa) before any other Kata for amulets are chanted;
Presenting some Extreme Limited Edition Hand Inscribed and Individually Empowered Meed Haek Wicha Lanna Spirit Knives and Pra Rahu Kala Ta Diaw One Eyed Coconut shell carved Eclipse God amulets, from Pra Ajarn Gorp Chai Wat Mae Ya. These extreme limited edition Traditionally Amulets are inimitable in the present Era and can only be most highly recommended for their authentic creation and empowerment methods, and traditional preservation of the Ancient Northern Wicha Saiyasart Lanna.
Speaking of the Meed Haek (Lanna name for Mitmor), they are composed of Forged blades with Hand carved Khao Kwai Phueak Hilt Ritual Spirit Knife amulets, have been made in the ancient northern traditional style of Thai Lanna Sorcery, which has been practiced for centuries by the northern hill-tribe peoples in the bordering areas of Thailand, Burma, Laos, Vietnam and Cambodia. Blessed in special occasion after three months of Traimas empowerment, with Final Blessing on Lunar Eclipse on the 150th Anniversary of Wat Mae Ya Temple
The amulet features a small ‘Ito’ style hatchet shape blade with hand inscriptions of Agkhara Spells, which is inserted into a hand carved hilt made from albino buffalo horn Please Note, due to the hand made nature of these amulets, each amulet has slight differences. The amulet received, may differ slightly from the one in the image, but will be of equal power, quality and authenticity.
This edition included these special old school Lanna Meed Haek, and an extreme limited edition of 105 hand carved and inscribed Pra Rahu Asura Deva amulets made from the incredibly rare one eyed coconut shell, which were blessed along with the Meed Haek on the 150th anniversary night of Wat Mae Ya, which coincided with a Lunar Eclipse, making this a very powerful combination of auspicious alignments for empowerment of this edition.
Meed Haek and Mitmor ritual knives are used for Bucha to pray to for Blessings, but are also a kind of Magic Wand, Sceptre of Command over Spirits and Ghosts, and a Weapon to Banish Evil Spirits and Nullify Curses. Mitmor are used by the Masters to perform Inscriptions on the devotees, or upon inanimate objects, to invoke magical spells and bestow blessings.
Below; Pra Ajarn Gorp Chai inscribing Pra Rahu Kala Ta Diaw amulets and the Meed Haek during a Lunar Eclipse on the 150th anniversary of Wat Mae Ya temple.
When speaking of the Pra Rahu Kala Ta Diaw of this edition, we see an extreme Limited Edition Hand Inscribed and Individually Empowered Pra Rahu Kala Ta Diaw Wicha Lanna from Pra Ajarn Gorp Chai Wat Mae Ya. These extreme limited edition Hand carved one eyed coconut shellRahuAsura Deva Eclipse God amulets, have been made in the ancient northern traditional style of Thai Lanna Sorcery, which has been practiced for centuries by the northern hill-tribe peoples in the bordering areas of Thailand, Burma, Laos, Vietnam and Cambodia.. Blessed in special occasion after three months of Traimas empowerment, with Final Blessing on Lunar Eclipse on the 150th Anniversary of Wat Mae Ya Temple
Phra Rahu Kala Ta Diaw Asura Deva Eclipse God 1 eye coconut Pra Ajarn Gorp Chai
The amulet features Pra Rahu Om Jantr (Rahu eating the Moon) as a central figure. Sacred Yantra with Lanna Agkhara are embossed either side of the Rahu Deity. Paying Bucha to Pra Rahu is essential for turning ones Fate around in times of Trouble. Pra Rahu improves your Horoscope, and removes dark influences and Inauspicious Unlucky events.
In the Lanna Tradition, the ‘Mitmor’ Ritual Knife is known as ‘Meed Haek’. The word ‘Haek‘ means ‘To Scrape’, or to cause to split open wide. The Meed Haek, is generally considered to be a small portable, blunt rounded symbolic knife, that is found throughout Lanna Cultures. The Meed Haek or Mitmor can be used to stir prayer water whilst performing incantations for whatever kind of blessings one may seek to invoke, be they Kong Grapan Chadtri Klaew Klaad, Maha Lap Maha Pokasap, Jerajaa Khaa Khaay, or Metta Maha Niyom Maha Sanaeh. You can use Buddhist Prayers and Candles to perform Holy Water Making, and stir the water in a clean clear bowl with clean clear water in it.
Meed Haek is a very Prominent Protagonist in the Pantheon of ‘Krueang Rang Lanna Sastrawut’ Magical Weaponry Amulets.
The Meed Haek and its Ritual Empowerment Methods are bound to the same methods of Sorcery used for making other kinds of magical weaponry, such as Ritual & Ceremonial Swords, like the ‘Dab Sri Ganchai’.
The Ritual methods used in their making are both highly complex, as well as varied, depending on the nature of the magic intended to be imbued within the weaponry, and the materials used to make it. Hilts and Sheaths can be made from Sacred or Precious Metals, Wood, or other natural Substances such as Horn, Ivory, Onyx or Lek Lai Kaya Siddhi elemental substance.
Blades are usually forged from metal using Alchemical Forging methods, but can also be seen to be made from other materials, such as the split Tusk of an Elephant, or a piece of Sacred wood.
Below: pieces of Khao Kwai Phueak albino Buffalo Horn for the carving of the magical hilts of the Meed Haek Akom Lanna of Pra Ajarn Gorp Chai, before preparation began
The making of Sacred Metals for forging into blades for Meed Haek, Dab Akom swords and knives, has a rigid set of rules and formulas for which kind of substances can be used. Metals are selected and chosen for their Sacred or Magical values. There are stringent ancient formulas, how they should be mixed and empowered as ‘Chanuan Saksit’.
‘Chanuan Saksit’, is a word used to refer to the Sacred metallic substance, which results from smelted artefacts, metallic elements and minerals. Pra Ajarn Gorp Chai chose to use one of the most powerful Buddhist Magical Metal Artefacts for his sorceror knives, the Tapu Sangkwanorn Ancient Shrineroom Roof Nails.
Below; Ancient Sacred Tapu Sangkwanorn Shrineroom Roof Nails from the Early Ayuttaya Era, used in the smelting of the Sacred Chanuan Muan Sarn for the Meed Haek Lanna.
Pra Ajarn Gorp Chai is the continuing lineage practitioner of the Wicha of Luang Phu Kroo Ba Ban (Wat Mae Ya), through Kroo Ba Wang (Wat Ban Den), and is a Lanna Monk who has continued the Wicha of Kroo Ba Wang through the Lineage of his Kroo Ba Ajarn in the most diligent fashion, as well as increasing the spells within the repository of grimoires at Wat Mae Ya.
Below; The Tapu Sangkwanorn are beaten into flat shape on the ritual wooden pedestal for shaping into the traditional Ito Meed Haek shape blades and heating again in the forge
Below; Hammering the Tapu Sangkwanorn into the shape of flat metal blades in preparation for the forging of the Meed Haek
He has performed every stage of the alchemical metallurgy processes and ritual methods of creation of these Meed Haek Lanna, through his own immense efforts and insistence on personal attention to every step of the process.He has expanded the magical repository of knowledge of his Lineage with his constant seeking, collecting of ancient Grimoires of Sorcery of the Thai Yai and other Lanna Folk.
This is a truly rare collection of Meed Haek (Mitmor) Rital Knives in Lanna Tradtiotional Old School style, which Pra Ajarn Gorp Chai performed all stages of the preparation of the sacred chanuan muan sarn metals for the forging of the magical blades, and for the carving of the Khao Kwai albino buffalo horn hilts. A very complex series of ritual preparations were necessary to create his Meed Haek and his Pra Rahu Kala Ta Diaw Amulets, of which only extreme limited numbers were made (105). The Meed Haek were alchemically forged using Tapu Sangkwanorn Uposatha Roof Nails from Ancient Temples of the Ayuttaya and Pre Ayuttaya Era.
Tapu Sangkwanorn are magical artefacts which are considered to be extremely powerful and magical substances, being leaden, they absorb the prayers and chants and meditative powers of the monks of centuries of morning and evening prayers and other ceremonies.
Pra Ajarn Gorp Chai is extremely proficient in the Wicha of Lanna Amulet making and in addition, a Master of Kata Akom and Agkhara Lanna Magical Script, and Sak Yant Thai Temple Tattoos.
Pra Ajarn Gorp Chai refuses to allow himself to be tempted to invent any modernisations, and maintains the integrity of the Northern methods of Lanna Sorcery. Below you can see him empowering some of his recently hand made amulets which he made specifically on request for Ajarn Spencer Littlewood (Proprietor of Thailand Amulets), for distribution to you our friends and customers.
He has expanded the magical repository of knowledge of his Lineage with his constant seeking, collecting of ancient Grimoires of Sorcery of the Thai Yai and other Lanna Folk. He is extremely proficient in the Wicha of Lanna Amulet making and in addition, a Master of Kata Akom and Agkhara Lanna Magical Script, and Sak Yant Thai Temple Tattoos.
Nor did the Ancient Masters have to accept to bless amulets which were mass made, and donated for blessing, rather, used their own precious time and efforts and Meditations to create and empower each amulet one after the other, passing through the hands and incantations of the Master one by one.
These days, it is truly difficult to find a Master who still uses this old-school method of personal applied Wicha and without assistance from third parties. Nor did the Ancient Masters have to accept to bless amulets which were mass made, and donated for blessing, rather, used their own precious time and efforts and Meditations to create and empower each amulet one after the other, passing through the hands and incantations of the Master one by one.
We feel that the amulets of Pra Ajarn Gorp Chai, are amongst the most highly recommendable, and authentically empowered, with the inimitable personal touch of the master. This is becoming ever harder to find in modern times. it is our duty to discover and present you with the best amulets with authentic Wicha, and this is the reason why Pra Ajarn Gorp Chai has become one of our top recommended present day masters.
Hand made limited edition authentically made and empowered Lanna Talismanic Charms like these, should be impossible to find in the present day, where most Masters have hordes of devotees to assist in the making of the amulets. Pra Ajarn Gorp Chai remains faithful to the olden days methods. We are blessed to be able to still find and obtain traditionally made olden days style amulets which have been given such diligent personal attention from the master in this present Era, through the Merits of Pra Ajarn Gorp Chai.
Below; Pra Ajarn Gorp Chai inscribes Pra Rahu kala Ta Diaw amulets during the Eclipse Nocturnal ceremony of empowerment
We can but recommend the amulets of Pra Ajarn Gorp Chai most highly for this reason. Pra Ajarn Gorp Chai is a lineage master of Wat Mae Ya, following in the tradition of his Kroo Ba Ajarn, Luang Phu Thin (Current Abbot) and the Great Luang Phu Kroo Ba Ban.
Wat Mae Ya
Wat Mae Ya is the temple of the Late and Great Arya Sangha (said by his devotees to have attained Arahantship), Luang Phu Kroo Ba Bpan, who transmitted the Wicha of Kroo Ba Wang to Pra Ajarn Gorp Chai. Pra Ajarn Gorp Chai is continuing the Wicha and Traditional Amulet making of the Great Kroo Ba Ajarn; Luang Phu Kroo Ba Ban, the ex Abbot of Wat Mae Ya temple.
The topic of Meed Haek Lanna and Dab Akom Magical Ritual Swords and Blades is given a very detailed chapter in Ajarn Spencer’s 6th Buddha Magic Episode in the Ebook ‘The Book of Thai Lanna Sorcery’, from Buddha Magic Multimedia and Publications, also available on this website in the Publications section.
Use Buddhist Method of Bucha
Three Prostrations and Chanting of Maha Namasakara (Namo Tassa) 3 Times
Namo Dtassa Pakawadto Arahadto Sammaa Samputtassa, Namo Dtassa Pakawadto Arahadto Sammaa Samputtassa, Namo Dtassa Pakawadto Arahadto Sammaa Samputtassa
Thailand Amulets presents another compiled video slideshow of some of the many amazing amulets added in March and Early April 2018, to Thailand-Amulets.Net And to our sister store and afilliates at Ancient Amulet and Buddhist Amulet The video presents a host of amulets from all affiliated stores, with a plethora of different kinds of amulets ranging from ancient classics, to modern era popular amulets of present day masters, with powers ranging from from Maha Sanaeh, Metta Maha Niyom, Maha Lap, Maha Pokasap, Klaew Klaad, Kong Grapan Chadtri, Gae Aathan, Serm Duang, Serm Yos, Siang Choke, and Raksa Roke. There are new amulets added for enchantment, seduction, good Karma, good business, promotion, protection against black magick and deadly dangers, gambling, love and passion..
We have lot more wonderful amulets to add in the rest of April and May, which we hope will be of great interest to you, along with the Biographies of many of the Monks who make the amulets we present, which are mostly stored on Ajarn Spencer Littlewood’s Monk Biography Website about Thai Guru Monks LuangPhor.Com
The Pra Somdej Wat Rakang and Wat Bang Khun Prohm amulets are perhaps along with the Pra Somdej Gaes Chaiyo, the most famous of all Pra Somdej amulets. This video presents a few different editions from both the temple of Wat Bang Khun Prohm, and the temple of Wat rakang Kositaram, for your study and enjoyment.
The video has a very entertaining and informative, narrative from Ajarn Spencer Littlewood, which accompanies this video slideshow of a number of classic Pra Somdej amulets from famous editions, of both the temple of Wat Bang Khun Prohm, and the temple of Wat Rakang Kositaram.
Included in this episode of Amulet Talk, are the Pra Somdej Wat bang Khun Prohm 2509 BE, and the Udom Mongkol 2534 BE editions, and the Pra Somdej Wat rakang 100 Years anniversary edition, as well as an exhibit of a Pra Somdej Wat rakang from the Sao Ha 2536 BE edition, which serves to show the visual differences between amulet of different ages, when a couple of decades stand between them. The talk should introduce you to some of the more subtle aspects of examination of Pra Somdej, as a starting point to begin to know how to look at them and evaluate their Pim Song (which model), and their age, and which temple they came from, as well as recognising the edition and year of release.
Presenting a very few only of the Legendary and Miraculously Powerful Magic Shield of Reflection – The Takrut Maha Ga Saton Glab of Kroo Ba Noi Dechabunyo (Wat Sri Don Moon). The Takrut Maha Ga Saton Glab, is a ‘Serp Dtamnan’ amulet, continuing on from his Kroo Ba Ajarn and Mentor, the Great Kroo Ba Pad, previous Abbot of Wat Sri Don Moon. The words ‘Serp Dtamnan’, mean ‘To Preserve And Continue The Legend’, which is precisely what Kroo Ba Noi has intended. The Takrut is small in size and contained within a decorative tubular casing for wear as a pendant. Its small size allows for ease of portability and can be worn by men or ladies easily.
The Takrut Ga Saton Glab is legendary for its power to reflect danger and dark influences, as well as assist in improving Karma and Prosperity. The words ‘Saton Glab’ mean ‘To reflect and send back’. Any ill wishers who try to harm the wearer will find the energy is reflected back to its sender, sending it back from whence it came. The Takrut Maha Ga Saton Glab,is perhaps the most famous of all amulets of Kroo Ba pad, and Kroo Ba Noi too.
The Takrut Maha Ga Saton Glab of both Kroo Ba Pad and Kroo Ba Noi, are now extremely rare to find, and highly sought-after amulets by those in the know. Kroo Ba Pad was the Kroo Ba Ajarn of Kroo Ba Noi, bestowing all of his powerful Lanna Style Wicha upon him over the years that Kroo Ba Noi served under him.
The Takrut Maha Ga Saton Glab of Kroo Ba Noi is now very famous after two households suffered explosions from faulty fireworks made for a large show, destroying the houses, without any of the family members being harmed. Various other miracles have been reported in the news connected with the Takrut Maha Ga Saton Glab, including the story of a civil servant in Prae Province who was shot at 5 times at point blank range with a shotgun, and the pellets only grazed past the top of his head.
Kroo Ba Pad, is one of the nine top monks of Thai Lanna History, extremely famed for his diligent works in developing the ancient 500 year old temple of Wat Sri Don Moon, creating facilities for the Samanera and Bhikkhus of the region, and improving the quality of life for the local folk. His Takrut amulets are what he became most famous for, especially his Takrut Maha Ga Saton Glab, which carry legendary status, and are extremely rare amulets to find anywhere at all.
Kroo Ba Pad was the Kroo Ba Ajarn to the Great Kroo Ba Noi, current abbot of Wat Sri Don Moon, who inherited the Wicha of Kroo Ba Pad, and who was the monk who was able to beseech Luang Phu Kroo Ba Pad’s corpse to allow itself to be cremated.
You can see Kroo Ba Noi talk about his Kroo Ba Ajarn Kroo Ba Pad in the below video documentary (Thai with English Subtitles), and witness the miraculous events at the funeral of Kroo Ba Phad.
Kroo Ba Noi is a Master Gaeji Ajarn Guru Monk in his own right since many years, whose amulets and Patipata (diligence and purity of practice), has become so popular as to be easily regarded as the equal of that of his Kroo Ba Ajarn.
Kroo Ba Noi is one of the Great Living Lanna Master Monks of the present Era, with an impeccable trajectory that is worthy and respectable for the continuance of the lineage of Kroo Ba Pad, and the temple of Wat Sri Don Moon.
With Kroo Ba Noi, the Secrets and Power of the Wicha Takrut Ga Saton Glab are safely preserved and maintained alive and well in the present Era. The Takrut Saton Glab was empowered in Buddha Abhiseka Ceremony in the ‘Jaroen Sap’ Edition in 2554 BE, at Wat Sri Don Moon, in Sarapee, Chiang Mai).
The Takrut Maha Ga Saton Glab is coated in Muan Sarn Sacred Powders composed of Sacred Relic substances (Pratat Ngern), hairs of Kroo Ba Noi from his Ceremonial head Shaving, and Pong Wan 108 (one hundred and eight Sacred Herbal Powders and Pollens).
The Takrut is an excellent protector whilst traveling, providing Klaew Klaad, Kong Grapan Chadtri, and Gae Aathan with Saton Glab Magic to reflect any incoming bad luck or black magick attacks, and to evade all dangers, enemies and deadly disasters with pre-emptive magick.
How To Bucha the Takrut Maha Ga Saton Glab;
1. Chant Maha Namasakara (3 Times)
Kata Maha Namasakara
Namo Dtat-Sa Pakawa-Dto Araha-Dto Sam-Maa Sam-Put-Dtat-Sa
Namo Dtat-Sa Pakawa-Dto Araha-Dto Sam-Maa Sam-Put-Dtat-Sa
Namo Dtat-Sa Pakawa-Dto Araha-Dto Sam-Maa Sam-Put-Dtat-Sa
See Pheung magical enchantment potion, and mercy charm, from Kroo Ba Krissana Intawano, of Samnak Songk Weluwan, in Buriram. Blessed with the same empowerment used for the Taep Jamlaeng Butterfly King Amulet.
This is a most auspicious and usable balm, which has been made using the very ancient sorcery methods but, also modern hygienic standards.. Many kinds of these balms and potions cannot be applied onto the skin, because of their necromantic nature. But this is a purely herbal and non-necromantic potion, which carries absolutely no Karmic retributions or disadvantages, rather, only auspicious blessings. Hence, the traditional application and usage methods given from the ancient formulas for applying See Pheung, such as onto your eyebrows, forehead, and the like, is able to be implemented with this particular potion.
The See Phueng Metta Mahaniyom balm, is a balm created by the with the effects of instilling popularity and generosity onto the owner as well as luck in business and trades. The circular casing is white in color with an image of the Taep Jamlaeng Butterfly King on the lid, invoking his popularity and Metta Mahaniyom capabilities. Inside is a generous amount of Metta balm. A sprinkling of special sacred powders, of a secret formula unknown to us, has been added to the potion.
One can use the See Pheung balm to dap on oneself for great charm, attraction and popularity as well as advancing in business propositions and trade.
Use the forefinger to smear with almost all Metta and Maha Sanaeh Oils and Balm Potions, for General Metta Blessing, use the ring finger for Selling and Gambling, use the middle finger to smear the oil if you wish to be attracting the opposite, or even the same sex.
Once again from the adept master Kruba Krissana himself comes a well acclaimed and very easily recognizable superb edition of holy amulets in the year 2556 BE. Kroo Ba Krissana Intawano spent the whole three month period of the rainy retreat, empowering this edition of Amulets every single day and entered into a period of solitary Kammathana practice in order to empower the Amulets with the highest power through great renunciation and practice of purity for a sustained length of six days solid meditation!!!
The objectives of Kruba Krissana Intawanoh’s 2556 BE edition include using the funds received to donate to the commemoration of religious holy places and temples in and around Buriram and to produce interest and build practice in the Buddha Dhamma.
The sacred Muan Sarn powders, oils and other ingredients used in the making of the various amulets released in this edition, were amassed together for the great Puttapisek ceremony, and under masterful eyes to ensure that the ritual followed exactly as prescribed by ancient Wicha knowledge.
Apart from his most famous king butterfly hand painted sacred powder amulets, this time, Kroo Ba Krissana Intawano has released some very special Pra Khun Phaen amulets in slightly pinkish white sacred powders and this special See Pheung. In addition another See Pheung with the wicha Taep Jamlaeng Butterfly King embedded within it was also released in this very same edition.
The amulets of this great internationally famous guru master, go unrivaled, as far as their beauty and fine quality of handmade artisanry is concerned. After their room mans compassionate and continuous flow of Metta Mahaniyom, Maha Lap, and Maha Pokasap magic, his amulets are also said to go unrivalled with any other in the present era.
Taep Jamlaeng Butterfly King Amulet – with blue Kroo Ba Krissana Intawano Cameo Locket, 14 Maha Pokasap Gems (4 in the front face, and 10 in the rear face), and 2 Takrut spells inserted.
Made in 2553 BE for the ‘Lai Sen’ edition (now a more famous and highly preferred edition), by Kroo Ba Krissana Intawano. Fancy stainless casing is included with this item. The casing is special quality, with engraved patterns gracing the edges.
The front face of the amulet features the Taep Jamlaeng Butterfly King, with red, green, yellow, orange and white finely painted details. The Amulet is a most delicately painted miniature Objet D’art. Four Ploi Sek Maha Pokasap Gemstones are inserted.
Size; 3 x 2 Cm
The rear face of the amulet has a locket, 10 gemstones, and two Takrut inserted into the Muan Sarn Sacred Powders.
Kroo Ba Krissana Intawano is along with his accomplice Kroo Ba Beng, of Wat Tanode Luang, one of the only two surviving holders of the secret Wicha of their Kroo Ba Ajarn Guru Master. Namely that of the special method of successfully making Taep Jamlaeng Butterfly King Amulets, whose power is derived from both the psychic and Deity assisted empowerment, as well as from the secret aromatic admixture of Muan Sarn Sacred Powders, Maha Pokasap Gems (ploi sek), and Takrut spells.
In addition to this, his amulets are also miniatures works of art in their own right. Each amulet is completely unique, and unlike any of its brothers and sisters. This is due to the hand painting, and individual treatment given to each amulet, which will have different coloured gemstones, and different sacred items inserted with each amulet, hence, differing slightly from the one next to it.
This particular model is a ‘Pim Klang’ (medium sized) Ongk Kroo Masterpiece Version. It is extremely fortunate now to find what still available some years after the release of the addition. This is because, his amulets are nearly always completely sold out in every edition, before the year is over.
This shows the great popularity and collectability and speculating value of his amulets and how sacred they are to so many people. May consider, that we can still find amulets of great historic masters so many tens of years and even hundreds of years after that passing, but with the amulets of Kroo Ba Krissana Intawano, only one year is needed for an edition of his amulets, to appear to be completely depleted. Each series and edition depletes and disappears shortly after their appearance. This is what we call a true phenomenon.
Of course the great beauty of his amulets and their artistic value, also counts much towards the reason why they receive so much popularity.
But if it were not for the fact that they are truly sacred, and have a noticeable effect with their magic, then sheer artistic beauty, would not be enough reason, to make them as popular as they are to this day.
These Butterfly King amulets, were released in a series along with some special coin metallic Amulets.
Exquisitely beautiful design on silk featuring the Hemaracha Himapant animal with magical effects of Metta mahaniyom kaa khaay for prosperous business and improved social popularity, as well as mercy charm.
This item has free shipping included, no cost for weight will be added for this item, even with multiple orders.
The yantra cloth is blessed at Wat Hongsa Radtanaram in a very auspicious ceremony with a large array of great guru masters of international repute present to empower and bless the amulets. Some of the great masters present included:
Luang Por Foo (Wat Bang Samak), Luang Por Pian (Wat Grern Gathin), Luang Por Perm (Wat Bom Gaew), Luang Por Somchay, Luang Por Poon (Wat Ban Paen), Luang Por Sin (Wat Laharn Yai), Luang Por Ruay (Wat Tago), Luang Por Sawat (Wat Ao Moo), and many other masters.
Size: 47.3 x 51.9 centimeters
From the Wat Hongsa Radtaram 2555 BE ‘Somdej Prajao Taksin Maharach’ edition amulets, we chose the pha yant Hemaracha Himapant animal yantra cloth from Wat Hongsa Radtanaram for its great beauty and the fact that it is a very rare image to come across in such a high quality format. The sacred blessing ceremony was also very impressive with a large number of important masters present to bless the amulets.
Released in the 2555 BE ‘Somdej Pra Jao Taksin Maharaj Run Mee Chay 1’ edition
This edition featured a series of ‘Somdej Pra Jao Taksin Maharaj’ coins and powder amulets in various versions, and this pha yant. The funds of this edition went for the building of a four storey school building for monks to study Dhamma in, which costs sixty million baht (about two million dollars). nineteen gaeji ajarn guru monks joined hands to bless this edition and help raise these funds.
The level of detail is incredible when we take a close up look at some of the smaller details contained within the grand plan of the design, such as the miniature hongsa head that protrudes from, and decorates the belly of the Hemaracha. The number of tones and color shades is well above that which has ever been seen before in yantra cloth printing.
Maker:Wat Hongsa Radtanaram
Magical Effects:Metta mahaniyom, kaa khaay, maha sanaeh, serm duang, choke lap, maha pokasap
Material: Silk cloth
Recommended Uses: Good commerce, promotion, social and professional success, mercy charm, lottery
Number of Amulets Made: 999
Edition:Somdej Pra Jao Taksin Maharaj Run Mee Chay 1 Edition
Thailand Amulets is proud to be able to offer some of the rare and especially sought after Gammagarn series of ‘Lucky Treasure Bee’ amulets, which went completely unannounced, and were secretly handed out to sponsors at the ceremony of the ‘Serp Dtamnan Luang Phu Noi’ edition amulets by Luang Por Jerd, of Suan Badibat Tam Po Sethee, in Nakorn Pathom.
The Paya Dto Ngern Larn amulets were released in two different ‘pim’, namely a gold colored powder version (Nuea Wan Tong Pised – ‘Pim A’ with 28 takrut) and a black powder version (Pong Bai Larn – ‘Pim B’ with 16 takrut). Both versions feature a treasure bee on the front face, with a Pra Pidta image on its back, and a piece of gold leaf on it. The front face of the Nuea Wan Tong Pised (‘Pim A’) has 28 takrut ‘Pra Putta Jao Sip Hok Pra Ongk’ spells inserted, whereas the Pong Bai Larn (‘Pim B’) has 16 foil takrut spells with the 16 syllables of the yant ‘Pra Putta Jao 16 Pra Ongk’ (16 Buddhas Yant).
The sacred powder used for this Gammagarn version, is a concentrated rich mixture of the finest and most sacred herbal powders. The powders are also empowered with powdered blessed bees nest (a sorcerous ingredient which has the maha lap effect of increasing wealth treasures and lucky fortunes).
The rear face of both two versions of the Paya Dto Ngern Larn amulet features a series of sacred na maha lap, maha pokasap, and maha laluay and kata Pra Sivali (‘Na Chaa Lii Dti’), to bring great wealth and prosperity, treasures and prosperous business. This series of amulets was released in 2555 BE in a large and very special edition of some of the finest amulets and bucha statues to grace our store. The edition included lockets, Pra Pid Ta amulets, and wua tanu/kwai tanu amulets and bucha statues.
The two different pims of the Paya Dto Ngern Larn treasure bee amulet are a special ceremony distribution item, which do not exist in the rest of the series of amulets, except in the special top of range triple collector set, which featured some Pidta amulets in the same special herbal Puttakun powder. Pra Pid Ta is thus also an aspect of bucha when praying to this amulet, and increases the maha lap aspect of the magic, whereas the treasure bee increases the maha pokasap aspect.
Comes with original felt lined box from the temple. Can be encased if desired.
The purpose of this edition was to raise funds for the building of a taewa sathaan (deity shrine) with a large statue of Pra Pikanes (Ganesha) at the temple of Suan Badibat Tam Po Sethee sitting on a pair of gold and silver treasure bees as his throne, so as to instigate prosperous fortunes for the poor locals to improve their situation.
Read documentation and see all amulets in this edition:
Luang Por Jerdis gaining headway in Thailand as one of the best practitioners of the Buddhist vinaya, and is entering the halls of fame of the high Arya Sangha. We can expect the history books to record Luang Por Jerd as one of Thailand’s great Arya Sangha of this century. As is always the case, the true great monks of purity are usually famous after their passing more than during their lives, for they do not seek attention.
Despite the fact that Luang Por Jerd is a humble monk, his humility and diligent practice and merits have elevated him to become one of Thailand’s Most respected monks on a national Scale, and one of the top 4 monks of the Nakorn Pathom Province (along with Luang Por Sanya Kong of Wat Klang Bang Gaew, Luang Phu Yaem of Wat Sam Ngam, and Luang Phu Ap, of Wat Tong Sai). We should perhaps say five great monks of Nakorn Pathom, as the abbot of Wat Pai Lorm, Luang Pi Nam Fon is producing fine Buddhist amulets in the wake of his mentor, Luang Por Poon.
The base of amulet has code stamp and edition number code
Useful info for bucha:
For bucha, use Buddhist prayers to increase power, with any or all of the below kata.
All kata for amulets should begin with chanting of the Maha Namasakara (‘Namo Tassa’) 3 times first, before beginning any other incantations.
Ajarn Apichai Decha has made a meritorious bucha image that is rare to find, the hand of the arahant Pra Yulai (in Chinese ‘Yoo Lai Fuor’ – 如来佛, or ‘Yoo Lai Fuor Ju’ – 如来佛祖). The image represents the hand of the Buddha. The Heng Jia monkey god stands in the palm of the hand of Pra Ulai (the Buddha), ‘Subduer of the Mara Demons’. For those who need to subdue enemies, calm down aggressors and receive metta, and shield themselves from all black magic and demons, this is a most original, powerful and auspicious Buddhist amulet.
The image measures 11 cm high x 5.5 cm widest point.
The hand contains the image of the monkey god, who was born of an egg made of stone that was bathed in sunlight for 500 years on a magic mountain (Hua Guo San Mountain), and learned some very powerful wicha, which, when he mastered them he called himself ‘The Most Handsome Monkey King’, and went on the rampage showing off the powers he had mastered. He stole the immortality drink and tried to become the lord of all heaven. But he was to be taught a lesson by Buddha, in a wager. Buddha betting him that he could not jump out of Buddha’s hand. Should the monkey win, he demanded the Jade Emperor’s job that should he lose, the monkey would then be banished to Earth for centuries to learn some humility.
Buddha tricked him into thinking he had found the Five Pillars of Wisdom and got past the Buddha. But then he was to find out that he was not any further than where he started, and that the five pillars he saw, were truly the five fingers of the Buddha, whose hand he was standing on. There are many legends, some of which do not coincide, but the general moral of the legend is that the Heng Jia monkey god was initially very naughty and arrogant, but through learning from his wrong actions and also punishments he recieved, he finally became realized and a good servant of the Dhamma, and ‘The Destroyer of Demons’.
The monkey flew on clouds to the end of the universe, where he saw five pink pillars, which he took to be the end of the world. On the middle pillar he wrote: “The Great Sage Equal of Heaven reached this place”, to prove beyond any doubt he had reached this spot. Figuring it was a long trip back, and being the irrepressible individual he was, he also urinated at the base of the first pillar. Then he returned to face the Buddha. To his shock, the Buddha informed him he had never left Buddha’s hand – and to prove it, the Buddha showed the monkey the writing on his middle finger and the distinctive smell at the bottom of his smallest digit. The monkey tried to renege on the bet, but before he could escape, Buddha pushed him out of the Gate of Heaven; then Buddha changed his five fingers into the five elements (metal, wood, water, fire and earth). They became the five-peaked mountain under which the monkey was trapped, leaving only his head and hands exposed.
The wrist of the Buddha’s hand is wrapped with a bracelet of sinjana cords with a golden takrut attached.
After 500 years he was granted a chance to redeem himself by accompanying the holy man Tripitaka on a journey to the West as his companion and guard. In order to keep him under control, a band of metal was put on his head that Tripitaka could cause to tighten by muttering a chant – while this couldn’t kill the indestructible chimp, it would cause him extreme pain.
This bucha image has powerful Buddha magic to keep away allabamongkoland amanut (‘inauspicious events’ and ‘monstrous beings’). The hand of Pra Urai is protagonized in ‘The Legend of Heng Jia’, the monkey god who tried to pass the Buddha’s hand in competition. In the end, he thought he had arrived past the Buddha’s hand and reached the Five Pillars of Wisdom, but he was then disappointed to find that he was standing on the palm of the hand of Pra Urai, and that the five pillars were the fingers of Urai’s hand. Heng Jia was then punished by being buried under a mountain for 500 years.
Can be placed on a pan kroo (5.5 inches recommended) for bucha.
Maker:Ajarn Apichai Decha
Magical Effects:Serm duang, gae aathan, gan khun sai, klaew klaad, kong grapan, praab Marn
Ultra rare coin from deceased master, Luang Phu Ka Long of Wat Khao Laem, dating back to 2547 BE. All editions after 2549 BE were also immensely collected, but those editions before this date are almost impossible to find.
We are thus happy to have found this example to present for collectors and devotees of Luang Phu, the mysterious monk with the crystal tooth in the roof of his mouth, whose blessings would involve him always touching the crystal to induce power.
Luang Phu Ka Long is now a legend all over the world, and his amulets are the most collected of all masters of the last decade. A top class collector standard guru monk coin for the serious collector.
The rear face features Pra Narai (Vishnu) incarnate as the god Rama stood upon the Rachasri himapant lions.
The front face features the image of Luang Phu Ka Long, and the year of issue, with sacred Khom Agkhara inscriptions embossed.
Made from nava loha (9 sacred metals), the amulet is an extreme rarity, and highly valued by devotee and collector alike.
Maker:Luang Phu Ka Long Khiaw Gaew
Magical Effects:Metta mahaniyom, maha lap, kong grapan, klaew klaad, serm duang
Second edition of Ajarn Apichai’s now famously successful and auspicious takrut for prosperity and auspicious karma. For historical documentation purposes, Ajarn Apichai has thoughtfully used a different colored magical thread to differentiate the second editon from the first, for collectors and journalists to easily catalog and document. The second edition takrut is also encased in transparent tubing to prevent corrosion and protect against moisture.
The Yant Pra Kun Por Pra Kun Mae is a Northern Lanna wicha in reverence and respect to one’s parents. The Lanna people of old would tattoo the yant on each shoulder, in honor of their father and mother. This takrut has the same puttakun power, that watches over you like a father and mother, and takes care of all angles, just as a good parent would. Protects from accidents, natural disasters, poisonous animal bites and stings, forbids demons and ghosts. Warns away ill wishers, extinguishing black magic, curses and sorcery.
The takrut provides plentiful sustenance and resources, with pokasap and maha lap magic to endow the devotee with wealth, treasures, and sufficient provisions for its children. It emanates great metta mahaniyom like the mother for her child, increasing your good public relations, popularity in social and professional areas.
Size; 6 Centimeters Long x 0.7 Centimeters Wide
When performing bucha to use the amulet, focus on the Buddha, Dhamma and Sangha, and your mother and father, teachers and gurus, and call upon their purity and power to protect you from dangers, bring success in your undertakings and ventures, and to fulfill your dreams and wishes.
You are not allowed to make wishes that harm other beings or cause suffering to others, or things that are against the 5 Buddhist precepts.
Kata Bucha Kun Por Kun Mae (Reverence to Parents Kata)
Then use the kata Aaraatanaa Pra Krueang to beseech blessings from the takrut and to empower further it throughout your life, each time that you chant.
Kata Aaraatana Pra Krueangis a specialized kata for chanting when putting on amulets, taking them off, or when leaving the house or travelling. The kata asks for protection and blessings to go with you.
Before chanting to any amulets, you should always chant Namo Dtassa, and/or the kata to ask for refuge (Kata Dtrai Saranakom) the Triple Gem first.
Kata for chanting to amulets (Kata Aaratanaa Pra Krueang)
Pra Kring Buddha Image – Recommended Thai Buddhist Heirloom Amulet
Pra Kring Dtraimas Hlor Boran – Nuea Nava Loha Gae Tong Kam Pid Gon Nava (9 Sacred Metals with High Gold Content) Sacred Buddhist Heirloom Amulet – Luang Por Song – Wat Sala Din
Luang Por Song’s famous 2548 BE Pra Kring Buddha Amulet. Now a Collectors Piece, which is Usual with most Pra Kring from Top Masters, being heirloom Amulets by nature. The Pra Kring is perhaps the most widely collected amulet and is known with Buddhist Devotees as an auspicious Blessing of the Purity of the Buddhas, as well as a Union of Sacred Art between the Theravada and Mahayana Sects. The Imagery of the Pra Kring Buddha is Essentially Mahayana style and very beloved by Thai Chinese and Chinese Buddhists. It is considered a family heirloom that is passed down to one’s Children, and is an Auspicious Blessing, Protector and Luck Bringer with no Black Magic or Karmic side effects, only Meritorious Buddha Blessings.
Size 3.5 Centimeters High x 2 Cm Wide Base
In Case you are New to Amulets;
Apart from the Spiritual Value of the Pra Kring, the Kring is a Classic Collectors Favorite, as well as a Family Heirloom Amulet that is passed on throughout Generations. Many Modern Age Sorcery Amulets serve very well to gain fast short term effects, but are often changed for new ones as their powers wear out. But Buddha Images and especially the Pra Kring and some other amulets (i.e. Pra Somdej) do not devour Karma or Power up, rather, base their Miracle Force in the Faith, Merits, and Good Behavior of the Wearer, and never wear out, rather, become more Sacred as it ages. This is the reasons such an amulet is the perfect heirloom, for its tendency to become ever more Sacred and Powerful as Time passes.
This particular Kring is a Luang Por Song Pra Kring, a High Sangha of Great Purity whose Classic, small numbered editions of Thai Buddhist Amulets are Highly Sought after and never enough in supply for the number of serious Collectors of this type of Esteemed Amulet of Fine Taste and Extremely Sacred Empowerment.
This edition is highly sought after and collected due to the high quantity of gold in the nine Sacred Metals mixture, which is visibly present within the Sacred Alloy, ensuring that this edition becomes a Classic.
The base of the Amulet numbered code and the Name of Luang Por Song Inscribed. A Kring Bead Relic is inserted into the interior of the Base of the Loi Ongk Statuette. The Khmer Sanskrit letter ‘Ma’ is stamped into the base for edition authenticity marking. Serial Number can vary from that in the picture, as they are different for each amulet. Due to the nine sacred metals and the high quantity of pure gold mixed in, the surface colors vary throughout the whole amulet. For this reason, one should understand that each amulet is slightly different, each one distinct and original in its particular markings.
Leaving the Sacred behind for a moment, we must also discuss the Collector-ship aspect of this amulet, because Pra Kring are Classic Cult Collector Amulets, which has its own evaluation system that is artistic and speculative instead of Religious. Stamps just have stamp collectors, coins just have coin collectors.
But amulets, be they coin amulets, metal, powder, a particular kind (such as the Pra Kring) or whatever, have a Religious and Mystical value that goes beyond such speculations. however, amulets also have the same kind of collector niches as do stamps, coins or any other cult collector circle. The trading, swopping, collecting and showing of amulets in competitions, is a world in itself. Some people collect amulets for religious reasons, some for speculation or collector-ship, and some for both reasons (like Us).
The Pra Kring was released in 2548 BE (2005), in a Dtraimas Empowerment which saw the Pra Kring being empowered nightly in the Hut of Luang Por Song, as he passed the 3 month Rainy Retreat in his Kuti. At the end of the Rain retreat, a sacred Puttapisek Blessing Ceremony was performed in the Uposadha Shrine room, with the Dharma Chakra Incantation to Open the Eyes of the Budha in the statues.
We feel that this Pra Kring is a very High Quality Buddhist Amulet of High sacred Value and Collector-ship Interest. Blessed by Luang Por Song, a great Monk of Diligent Practice. His amulets are considered very Holy. A true Masterpiece of Pra Kring Traditional Amulet.
The Pra Kring Amulet Comes in Box from the Temple – Can be Encased if desired.
Maker of Amulet; Luang Por Song, Wat Sala Din Temple (Wat Morn)
Material; Nava Loha Gae Tong Kam (Nine sacred Metals with a High Percentage of Gold Content).
Recommended Uses; Improve Karma, Turn bad Luck around into Good Luck, Increase Wealth, Receive Merciful Treatment, Evade Deadly Dangers, Protection from Guns and Knife
Number of Amulets Made; 99
Edition; Dtraimas 2548 BE
Type of Amulet; Pra Kring, Buddha Image
Year of Issue; 2548 BE (2005)
Weight; 35 Grams
Magical Effects; Serm Duang, Maha Lap, Klaew Klaad, Metta Mahaniyom, Kong Grapan.
Size of Amulet; 3.5 Centimeters High x 2 Cm Wide Base
Siarn Phu Ruesi Ta Fai Kroo Deity mask made from Nuea Samrit (Bronze) with sacred powders, 3 Takrut and Tiger Yant – Luang Phu Naen Kampiro. This is the top of the range bronze metallic version of this edition of amulet which was made in five different materials. This Nam Rerk release (first pressing with richest concentration of sacred ingredients), is covered with gold leaf, and hand painted on magical bronze metal alloy, with Ploi Daeng stone in the third eye. Free waterproof casing included.
Phu Ruesi Ta Fai is the Boroma Kroo (Root Guru) of many different walks of life, but is mostly revered by those who are learning the Vedas, Magical Incantation and Empowerments, Meditation, or Kata chants.
He is a protector and Guide to those who revere and pray to him. He is a breinger of Wealth and Prosperity.
Luang Phu Naen Kampiro, of Wat Ban Kaset Tung Sethee made this amulet from Nuea Loha Aathan (bronze alloy smelted from many ancient magical metals collected for tis purpose). He empowered the content of the amulet with insertion of a Yantra in sacred metal and invoked the Maha Yant Montra Berk Pra according to the Ancient Wicha
He stuffed the rear with sacred powders made from earth taken from 7 cemeteries, 7 salt licks, 7 ponds and lakes and 7 ports. In additon the powder had ‘Chan Mak’ from LP Naen (chewed betel nut) Maha Wan pollens, powdered Ya Jindamanee, Benjarit powder, and has one ‘Ploi Daeng’ precious stone insert in the third eye on the forehead Takrut Rasi Plaeng Sarn are inserted into the powders.
The amulets were empowered further by Luang Phu Naens incantation of Itipiso forwards and backwards recital, Itipiso Paed Tidt (8 directions mantra) both forwards and backwards, and the Kata Baramee Samsip Tidt (30 directions mantra). Maha Sanaeh (Attraction and Charm), Metta (Likeability, induce friendliness), Kaa Khaay (good Selling power), Hnun Duang (improve Horoscope), Plik Chadtaa, Glab Raay Glaay Bpen Dee (change bad outcome back into good outcome), Khab Lai Phuut Phii Bpisaat (fend off ghosts and demons), and increases Merit in Meditation practice. Removes obstacles in Life.
Phu Ruesi Ta Fai Kroo Deity mask – Nuea Samrit (Bronze) with sacred powders, (Nam Rerk) 3 Takrut and Tiger Yant – Luang Phu Naen Kampiro – casing included
Rian Pra Pakawambodee (Pra Pid Ta Pang Pagan) Sri Maha Prohm (Brahma) Pim Yai – Nuea Tong Daeng Jarn Mer (with hand inscription by LP Ji) – Pra Ajarn Ji Somjidto -Wat Nong Wa Made in 2549 BE
Pra Pakawambodee (Pra Pid Ta Pang Pagan) – dragons adorn the flanks of the Buddha, who covers his orifices, depicting the Lord Buddha entering Nirodha (Pra Putta jao Khao Nirote).
Each of these extremely beautifully designed Pra Pakawambodee (Pra Pid Ta Pang Pagan) Sri Maha Prohm (Brahma Deity) medallions from Pra Ajarn Ji Somjidto was empowered by LP Ji in meditation every evening in his Kuti, giving them nightly empowerments every single day from its creation to the day of the final Putta-Pisek blessing ceremony. The front face features Pra Pakawambodee (Pra Pid Ta in Southern Nakorn Sri Tammarat style), with the crown of his head composed of an image of the Lord Buddha in Samadhi, seated upon the Lotus Throne. The Kata ‘Putto’ is inscibed in Sacred Khom Agkhara, and lotus blooms adorn the image of the Buddha entering Nirodha (Pra Pid Ta).
The hand made inscriptions made by Pra Ajarn Ji can just be seen visibly with the naked eye as a faint thin inscription on the surface of the amulet.
The rear face features the Brahma Deity, with the ‘sip song kasat’ 12 symbols of the Buddhist Horoscope. Brahma is seated on his throne which towers over Pra Rahu Deity, for balancing the auspicious aspects of the astrological fortune.
The amulet is made from a very high grade of ‘Nuea Tong Daeng Pised’ (a kind of copper alloy, mixed with sacred metals from various sources).
Amulets by Pra Ajarn Ji are becoming extremely sought after and are mostly sold out each edition because the Looksit of Luang Phor Yit know his Lineage and that he is of those lesser heard of Monks who will later be found out to be both a Great practitioner and amulet maker. His amulets are always made in small quantities and usually given an individual empowerment by Pra Ajarn Ji.
Pra Ajarn Ji is the inheritor of the Wicha of Luang Por Yit (sometimes spelled ‘Yid’), of Wat Nong Jok. He is especially skilled and famous for his ability to empowerr Palad Khik amulets. The famous Luang Por Yit once said that Pra Ajarn Ji was able to empower amulets, and cast spells exactly how LP Yit himself did, and that his amulets were just as good as his own. Width; 4.4 Centimeters, height; 5.4 Centimeters
The Serm Duang Kong Grapan and Klaew Klaad qualities of Por Gae Ruesi Deity combined with the auspicious and Riches bringing Metta of the Gumarn Tong, this hand made and personally empowered amulet from Ajarn Thoy, is a true hand made sacred amulet using sacred powders and ‘Wan’ (magical herbs) which Ajarn Thoy has learned about and collected over decades to make thes special amulets. It is hard to find ancient hand made traditional amulets in the Modern Era, but Ajarn Thoys amulets are an exception to this rule.
Comes in sachet with picture of Ajarn Thoy.
Free Pha Yant of Gumarn Tong Por Gae from Wai Kroo 2011 Master Day ceremony as a special gift from Ajarn Spencer Littlewood and Ajarn Thoy is included with this amulet.
This most exquisite amulet is known as the “Perth Mint Western Australia” edition is from the 2537 BE ‘metta Maha Mongkol’ edition of amulets. It is known popularly as the ‘Rian Perth’ (Perth Coin), simply because it was made at a Perth factory of Western Australia.
The front face features a Cameo of Luang Por Phern, and the rear face has Yant Kroo Paed Tidt, encircling a Tiger – the symbol of Luang Por Phern. It is an amulet which is most suitable for both Men and Women as well as Children, due to its medium size, and light weight. Amulet comes in a sealed waterproof casing included in the price.
The amulets were made in Australia then sent to Luang Por, who then blessed them on the 25th of December 2536 at 19:19 pm which was a Saturday and these times and dates all coincided for very powerful Metta Mahaniyom power. Luck, Happiness, Safety, Charm, Popularity and Riches come to those who truly make Bucha to Luang Por Phern through his amulets.