This article presents detailed information regarding the Bia Gae  amulet. Bia Gae (Cowrie Shell Amulet):  Known for its Protective Power against Black magic, Charm, Protection, and  Ppower of Ayraction for Wealth and Popularity

The Bia Gae is renowned for its powers in metta mahaniyom (great loving-kindness and popularity), invulnerability, and protection from dangers. It is regarded as a sacred object that wards off various perils and, importantly, deflects and nullifies black magic, curses, poison spells, and even jungle fevers. It is seen as an itthiwatthu (magical object) that openly challenges all forms of sorcery, malevolent spells, and black magic.

Origins and Symbolism

The tradition of the Bia Gae is deeply rooted. Thai people have long revered the bia or chan (cowrie shell). In ancient times, the cowrie was considered a symbol of the gods, and it became customary to hang it on children’s necks as a talisman of protection—a practice that continues even today. Beyond its role as a sacred item, cowries were once used as currency in Siam.

Kanchana Nakphan, in her research, explains that besides the Brahmanical worship of Ganesha as a major deity in Siam, there were other traditions absorbed from the Brahmins of Angkor. For example, Thais once used the bia chan as a form of money. These shells mostly came from the Maldives Islands (off the west of Sri Lanka in the Indian Ocean), where the kingdom of Angkor obtained them through trade and used them as currency.

Thus, the Thai custom of using cowries as currency likely originated from Angkor. A strong support for this view is the similarity in reverence for the cowrie: the Angkorian people worshipped it as a manifestation of Lakshmi, while the ancient Thai also saw it as representing a divine being. Traditionally, cowries were worn by children as protective amulets associated with luck and safety.

Cultural Mentions

Thai literature shows that the cowrie was treated as sacred. In the classic tale Khun Chang Khun Phaen, when Nang Thepthong gives birth to Khun Chang, a verse describes:

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“Some chanted blessings while scattering rice grains,
affixing consecrated cowries across the house walls.”

Similarly, in Inao, when the hero secretly visits Chintara, there is mention of using cowries in ritual offerings to deities, again showing their role as divine symbols. The cowrie as a symbol of Lakshmi also appears in ancient Thai law, where it was called Phakaw Chan. A section states:

“When dressing sons or grandsons, only allow them to wear a ji sama phakaw chan (cowrie pendant) decorated with red and green gemstones. Do not use diamonds or enamels reserved for nobility… Goldsmiths and commoners are forbidden from crafting pendants of this kind with precious stones under penalty of law.”

Here, Phakaw Chan breaks down into Phakaw (from Bhagavati, an epithet of Goddess Lakshmi) and Chan (cowrie). This clearly shows its association with Lakshmi.

Bia Gae Luang Phu Juea Wat Klang Bang Gaew

Social Status and Taboos

These ancient laws also reveal a rigid social hierarchy. Commoners were forbidden from wearing lavishly decorated cowries, which were reserved for the aristocracy. Only simple versions were permitted for ordinary people. Today, in democratic times, such discriminatory restrictions are obsolete.

Therefore, those who own a Bia Gae—such as the famous Bia Gae of Luang Pu Bun of Wat Klang Bang Kaew—may now encase them in the most ornate settings, even adorned with precious stones. For in truth, the Bia Gae is nothing less than the most exalted Phakaw Chan, a sacred cowrie empowered with consecrated mercury and endowed with full Buddhist supernatural power.

created by Luang Por Klom of Wat Nong Bua in 2012, highlighting its limited nature of only 500 pieces. It explains that this Thai animist protective charm is traditionally made with a cowrie shell filled with consecrated mercury, sacred powders, and two silver Takrut Na Sethee to enhance fortune and protection. The text further discusses the specific esoteric science (Wicha) used in its creation, noting its ability to repel black magic, correct bad destiny, and ensure prosperity. The document also introduces Luang Por Klom as a renowned master in Eastern Thailand who inherited his lineage from Luang Por Pan and identifies Wat Nong Bua as a significant centre for these traditional amulet consecration rituals.


Khun Phaen Pim Sadung Glab Talu Sum 2541 BE – Nuea Pong Ya Wasana Jinda Manee (case included) – Luang Phu Juea Biyawano – Wat Klang Bang Kaew (Nakorn Pathom)

Pra Khun Phaen – made with Ya Wasana Jinda Manee, most sacred and attractive of substances, endowing the wearer with immense charm and convincing power over others. Made and empowered by Luang Phu Juea Biyawano, of Wat Klang Bang Kaew (Nakorn Pathom). released in 2551 BE, the amulet is an incredibly beauful piece of Thai Buddhist Art with the extended slender features of the Buddha (for this amulet is indeed an image of Lord Buddha, and not of Pra Khun Phaen at all.

Pra Khunb Phaen wat Klang Bang Gaew

This is often the case with many amulets named after Khun Phaen. In fact, the original Ban Grang Khun Phaen amulets were also not a representation of Khun Phaen, rather was an image of Pra Putta Chinarat Buddha in Pitsanuloke, but due to the strong charm, metta and lucky powers of the amulet, it was named ‘Pra Khun Phaen’ for the fact it made people have many lovers, succeed in business, and also win in competition or war.

This amulet is made using the very powerful and rare substance ‘Ya Wasana Jinda Manee’ in the formula of the magical Wichas of Luang Phu Bun. Luang Phu Juea is one of Thailands leading amulet makers, known for effectiveness, his amulets have become a safe bet for the people of Nakorn Pathom province, with most people experiencing some form of improvement or success after obtaining one of Luang Phu Juea’s amulets for Bucha.

Khun Phaen LP Jua Wat Klang Bang Kaew (rear face)

Aesthetically, the amulet has extremely delicate finish to it considering its larger size, and the form of the Buddha  exudes elegance. The spire of the ‘Pragaes Mala’ (topknot) pierces the arch of the roof (‘Talu Sum’).

Luang Phu Jeua was the last Monk of a Lineage of three Great Masters in the same temple. The first of these was of course, Luang Phu Bun Khantachote, the second being Luang Por Perm Bunyawasano.  After the passing of the second Great master, Luang Por Perm, people thought that perhaps this was the end of the Lineage, but this is not the case, for the third Great master appeared, with the name ‘Luang Phu Juea Bpiyasilo’, the first apprentice of Luang Por Perm and the inheritor of the Wicha of Luang Phu Bun, through direct transmission from LP Perm himself.

 LP Juea

Since his passing away aged 84, on 29th December 2009, his amulets have become ever rarer and in demand from the masses of Looksit who follow this Master, in the Lineage of LP Bun and LP Perm.  His most sought after magical items are the Bia Gae, and amulets made from his Ya Wasana Jinda Manee, which he inherited from Luang Phu Bun through LP Perms teaching.